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Moody and Coleman on the verge of 100 winners

20 July 2024 Written by Trevor Marshallsea

The Coleman and Moody team are on the verge of achieving 100 winners for the season at Flemington this Saturday with five entries in the nine-race card, including the promising two-year-old Skipjack and the seasoned Pounding. It would cap off a brilliant first season for Katherine Coleman as co-trainer, which included 97 winners nationwide, three at Group 1 level. We reflect on where it all began for the talented Coleman.

On a chilly night in June 2012, a 19-year-old just entering the world of horses sat up in her home town of Bunbury, Western Australia, to watch the latest chapter of a tale that had the nation spellbound. Before very long, Katherine Coleman would be a lot closer to the story than she could have ever imagined.

“I sat up to watch Black Caviar at Royal Ascot, like the rest of the country,” she said, of the unparalleled sprinter’s Diamond Jubilee success. “If you’d told me then that in 10 years’ time I’d be assistant trainer to her trainer … it would’ve been a pretty wild dream!”

That’s precisely how this particular racing tale has transpired. Coleman – a driven young woman who’s learnt fast from a not-particularly racing background – emerged as a face-about-town in the past few years, in a stable fast recovering the heights scaled in its first edition, before his four-year hiatus.

Now in partnership as co-trainer to Moody, Coleman has continued a steep trajectory for the latter, reflecting her enthusiasm to learn – and learn from some masters – and a sharp work ethic.

With friends, she’d dabbled with pony clubs as a youngster, riding a placid old mare named Zenna, but that was the extent of her equine connection.

“My dad had shares in a few very slow racehorses before I was born, but that was about it,” she said. “But he got into another one when I was about 16, and that sparked my interest in the industry. Then I started working with a friend of Dad’s who had some pacers.”

That was a touch of the understatement. The friend was Kim Prentice, who’d won an Interdominion a few years earlier in 2003 (with Baltic Eagle).

“He was great. He taught me to drive them, and gave me a good grounding in all the basics about horses,” Coleman said. “From there I got into gallopers, and I thought, ‘This is fun!’”

After school, Coleman aimed for a more regular career, as a physiotherapist, but “after six months of that I found I missed the horses and dropped out of uni. Mum and Dad weren’t that pleased, but they were supportive.”

Focusing on thoroughbreds, Coleman spent 18 months with boutique Bunbury trainer Graham Yuill, learning to ride trackwork, as well as breaking and pre-training gallopers.

In 2013, she sprung east, to Caulfield, “thinking I’d stay for a few months”. After years with Robert Smerdon, and then Chris Waller’s Flemington stable, she was approached by Moody when he resumed training in 2020.

“I was at a bit of a crossroads, so I was pretty blown away when Pete said we needed to have a chat. It was basically an immediate ‘yes’ from me,” she recalled.

“I’d seen him at Caulfield. The Moody team was always very impressive from the outside looking in – very organised and run like a military operation. I’m happy to say it still is.”

Moody has often been described as a “bloke’s bloke” surrounded by women, from his mum and three sisters, to his wife and three daughters, to his succession of female assistants such as Desleigh Forster and Clare Cunningham, who’ve become trainers as well.

Coleman is the latest and the most prominent, with Moody happy to step more into the background while his co-trainer conducts roles in not just talking to the media but being a part of it, including appearances on racing.com panels.

“I enjoy that, though the horses are always going to be my main priority,” she said. “Anything we can do that promotes the industry in a good way is a good thing.”

“Pete’s not a shy retiring type, as I think most people know, but he’s comfortable in the background at times as well, doing the organising rather than being in the spotlight.

“As a boss, he’s unbelievable. He’s just got this knack about him. He can give the staff or the jockeys a bit of a rev up before the race, and you just want to go to war for the man. It’s like a footy coach before a game. He’s got an amazing ability to get the best out of people. I’m trying to learn those sorts of things. If I can be half as good as him one day I’ll be very happy.

“And as a trainer, his patience with young horses is amazing, allowing them the time they need. Black Caviar was a really good example of that.”