Learning the craft
Gaining a formal qualification, however, is becoming more difficult. Georgia Skelton, President of Millinery Australia, explains that official TAFE training in millinery began to be wound back last year. “Millinery Australia is now looking into a brand new initiative, where we gather all our professional tutors [fellows] together, and students can gain qualifications that way,” she says.
Ironically, Skelton sees growing demand rather than decline. “We had an era when it was more about headbands, where people seemed nervous about self-expression – but that seems to be over. We are back to women and men who are excited about millinery.” She is buoyant about the talent of milliners working in Australia – Millinery Australia alone has 165 fellows – and about the appetite for passing those skills on. “That’s what the association is for: to keep the standard of millinery up there. Quality pieces, made in Australia – that’s what we are encouraging people to search for.”
A sustainable art form
With sustainability becoming an increasingly important part of the fashion conversation – particularly for younger consumers – millinery, and the longevity of a bespoke hat, is well placed. A distinctive hat can be worn for decades, handed down, loaned out for special occasions; it is a more considered choice than something discarded after a single season. Hats can be remodelled and retrimmed, evolving into a personal signature over years.
Many Australian milliners are already working with natural fibres – wool, straw, hemp and organic cotton – as well as deadstock and recycled textiles, giving beautiful existing materials a second life rather than drawing on virgin resources.